Don Carlo
"Steponas Zonys, who first sang Rodrigo in 2022, this time brought much more expression and color to the role."
2026 / 02 / 20
- Živilė Ramoškaitė, 7md.lt
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I Lituani
"Steponas Zonys portrayed Arnold with precision both vocally and dramatically."
2025 / 09 / 12
- Beata Baublinskienė, 7md.lt
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Lamb of God
“From a physical and stage movement perspective, Tito (Steponas Zonys) was the most striking character; his dynamics were restrained yet convincingly meaningful and expressive.”
2022 / 11 / 25
- Helmutas Šabasevičius, 7md.lt
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Don Carlo
“The role of Marquis Posa, created by Steponas Zonys. A beautiful, flowing voice, firmly and emotionally performed arias, and a wonderful duet with Don Carlo.”
2023 / 03 / 26
- Jūratė Katinaitė, 7md.lt
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Der Rosenkavalier
“Different, uniquely colorful, and an excellent Faninal – Steponas Zonys.”
2021 / 09 / 10
- Jūratė Katinaitė, 7md.lt
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Candide
"Another character and singer worth mentioning in the first cast was the narcissistic Maximilian as performed by Steponas Zonys. With just a few lines at the beginning of the performance, he won the audience’s hearts with his pink wig and the same pink cheeks. But his finest hour came when he either accompanied The Old Lady or overpowered the orchestra and his colleagues during the last scene ensembles, bringing a fine clean bottom sound."
2019 / 09 / 18
- Polina Lyapustina, operawire.com
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Die Fledermaus
"He sang with power and vigor and yet found time for some amazingly beautiful melodic lines. He received a compliment “with that beautiful tenor voice,” and responded “…but darling I’m a baritone!” as he was leaving the stage for a moment. Zonys’ bright and agile voice worked out perfectly on this occasion."
2019 / 12 / 23
- Polina Lyapustina, operawire.com
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Turandot
"The most affecting change in Robert Wilson’s “Turandot” was Ping, Pang, and Pong, the old henchmen of the cruel princess who were turned into the most amazing and unreal creatures on stage. Young singers Juan Antonio Sanabria, Vicenç Esteve, and Steponas Zonys were jumping, screaming, grimacing, and bring the most controversial emotions to this performance."
2019 / 03 / 07
- Polina Lyapustina, operawire.com
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